Magic: the Gathering is known for it’s amazing artworks. Did you know that they now have art cards? Did you know these are amazing for making your own oracle deck? Did you know these are cheap????
I mean look at this? Discover the Impossible by Ryan Pancoast. When I saw this card I immediately had several meanings: dreams, imagination, other world, and yeah; discover the impossible.
Introduction to Prophesy by Micah Epstein. Time, divination, visions, discovery of your power.
Crackle with Power by Micah Epstein again! Know your own power, stand your ground, let them see what they are dealing with
I could go on and on but I won’t. So the good: many different styles of art, including watercolour, digital, stained glass, traditional japanese, manga, and black and white lineart. Cheap: I paid €0,50 per card. Fully customizable. With new sets coming out there will be new cards, so you can keep adding things as you like. Beautiful and evocative art. You have signed and unsigned versions, so you can choose. (the website shows the signed versions with the signature in yellow, on the unsigned version there is no signature at all.)
So the… not bad per se, but things to keep in mind: they have no backs. The backs are white and include the M:tG logo, the title of the artwork and the artist. You can always back the cards yourself if you wish to. The cardstock of earlier cards seems lesser. A bit more thin and flimsy, I don’t care, but some might. So far it’s the Zendikar and Kaldheim. The cards come in horizontal and vertical, making readings look a bit more messy. I found that I do not care, the cards are amazing
So in step 1 we brainstormed and thought about what our oracle would look like and what type of oracle we want. Which brings us to the next part: gathering resources and experimenting! This is of course the time to go all out. Try different things, use unusual materials, just play and see what works for you!
First I went through the stacks of magazines that we still had laying around. I was lucky, I had gotten an entire stack of photography magazines from my sister, which gave me a whole bunch of beautiful nature photos. As well as old photoshop magazines for a few more modern or artsy pieces. I now have a bunch of images to work with, but I still have a folder on my phone and computer as well, that if I come across something that might work, I can save the images.
For me I already knew I wanted black cardstock and minimalistic images. So first I grabbed two scraps of black cardstock, some inks and a masking stencil.
So first I tried Distress Oxide Black Soot. White very pretty, this was in no way glossy, so not what I had envisioned. Next!
Test nr. 2: Distress Shimmer Spray in black. Shimmer! Yay! However, I wasn’t a fan of the droplets and grungy effect. At least, not for this project. So… Next!
For the next one I didn’t have any scraps left, so I needed to cut a bigger sheet into smaller pieces. A perfect time to decide how big I wanted the cards to be! I dove into my oracle decks and pulled out different cards. I held them in my hand and tried to find the size that worked best for me to hold and shuffle, but was also big enough to show larger photographs. I decided on my Messenger Oracle by Ravynne Phelan for a base, but then just slightly wider. For me that was four inch by three inch, which also made it easy to cut with my paper cutter. I have a corner punch, but was afraid it was too small, but as you can see it works perfectly!
I spoke to my craft guru (my mother) and told her about the effect of what I wanted to achieve. She said clear embossing powder and I slapped my own forehead because why didn’t I think of that?! So this is stamped with the Penny Black Butterfly Charmer and then embossed with clear embossing powder. Love it! The only “problem” is that this stamp is not clear, and quite bulky so I always have some issues to get the full image stamped, as can be seen at the top of the card. Still, I do like it. But, we’re experimenting, so… Next!
Same technique, different stamp. This is the Prima Marketing Wave Background. However in black it’s more tigerstripes than waves. And since I have a strong dislike for animal prints…. Next!
I don’t even have a photo of this next one. I stamped the Kaisercraft Hexagon, which I normally love, it’s one of my favourites. However, on this size card, it looked like someone had run then over with a car… yeah, no… Next!
This is Viva Decor Brick&Wood (the wood part, obviously). I kind of like this, but felt it didn’t look enough like bark for me to love it.
So the butterflies are by far my favourite! so that is the one it’s going to be! I’ll have to figure something out (read, probably buy a thing) to make sure that the stamp will cover everywhere and will be in the same place on every card. But, I love it! So, next up: the front!
This actually went pretty quickly. I had a magazine from our time in the zoo last year and it had a bit about the windmill parks at see. So I took a bit with the least windmill (since it’s a test anyway) and went through my paperstash for a matching paper for the bottom. Black glitter tape and a small piece of scrap paper for the word, hastily written in paint pen.
So now I know what materials I need, what the end result will look like (at least a little) and how it will all come together! Join me next time when I show you the way to (hopefully) get all the cards cut in the same size!
Recently I’ve gained an interest in shadow work, and during my research binge I’ve found that a lot of people use tarot and oracle decks as a tool to help them in their shadow work. A lot of the decks they use are darker and often eerie, with lots of horror elements and skulls. There is nothing wrong with that, and I have a few of those decks myself, but they don’t fit me or where I stand in my current path. So I went searching for a deck that spoke to me, something that would work for me, and I found… nothing.
So after watching Dawn Michelle’s videos on her handmade deck I was inspired and figured: why not make my own? And why not share my process so you can make your own as well?
Fase 1: Theme So my first step was brainstorming and research. Starting with choosing a theme for my deck. I’d already picked my theme, sort of through necessity: shadow work. Now, I didn’t want all the cards to be deep, thought invoking, dramatic cards. So what could I add that didn’t take away from the goal of the cards or the feel that I wanted them to have? For me, shadow work stands hand in hand with personal empowerment. This because of my habit of underestimating or forgetting my own power. So those would be the offset to the shadow, which also gave me a working title: “Power and Shadow”.
Fase 2: Brainstorm I didn’t write any of this down, and I think I should have. So I’m giving the advice to grab a journal or open a new document and just… write. Write down anything you can think of about the ideal version of this deck. Some questions to help you get started:
What oracle do you want it to be? I knew I wanted a card deck, but it could of course be anything! Painted stones, pyrographed wooden sticks, charms, you name it.
What are the colours? I decided on muted tones with lots of dark blues, greys and blacks. I also wanted the backs of the cards to be black and/or grey.
What are some card names that you can think of right now? I did write some of these down quickly; collision, healing water, let go, toxicity, storm, adrift. Along with, if I had them, a short meaning to each. For collision this was “confrontation needed/unavoidable”, just so I could remember why I had that title.
What does this deck need to have; are there certain themes, images or words that are a must-have? This will not only help you get a clearer view of the deck, but will also help you where to research. I know a theme was shadow work, so I knew I had a direction to search in. I knew I wanted to incorporate poetry into them, shot poems by people like Nikita Gill, Abigail Lovelace or something I wrote myself. The moon and stars are very important to me, as is the sea. I love nature and forests, so those are for me must-haves in anything that has to do with personal work. For empowerment the wolf is a very strong symbol for me. So I knew where to search for meanings and names of the cards, as well as art or photographs.
Fase 3: Research Start looking at other oracle decks. What do you like, what don’t you like? Both in looks, aesthetics, vibe, card names and themes, you name it. What decks do you have, are they hand-drawn or digital? Lots of colour or not? What themes or images keep coming back in these? That will help you get a clearer view of the things that already work for you.
I also watched videos about other people talking about their favourite oracle decks for shadow work. I noted some of the things they said and wrote them down. I felt drawn to some of the cards and titles and wrote them down as well. I watched flip throughs of the decks they mentioned and took notes in my notebook about the things that spoke to me. For example: the Vampire Deck by Lucy Cavendish gave me the names “redemption” and “primal”.
Keep your notebook handy while looking at other media as well. A video by Joey Morris about a ritual do deal with a break up gave me “sunset: letting go, liminality, healing from endings”, while a video about creativity by Kelly Ann Maddox gave me “sacred rebellion: Fight capitalism, do things for yourself, not because they make you money”. Inspiration is everywhere, darlings!
Research the themes you are working with. What are things that keep popping up in your theme? In my chosen themes it was things like privilege, the inner critic, childhood, toxicity, forgiveness, release, being kind to yourself, self love. Find those and see how you can incorporate them into your deck, and what they mean to you.
Look towards other decks (both DIY and not) to see what style speaks to you. I mentioned Dawn Michelle’s videos earlier, I love the cards that she made, but I knew that even though I think they are gorgeous, they are too busy for me. I knew the moment I had a sort of visceral reaction to her “simplicity” card, that that was way more my style. Clean, simple and the picture is the star of the show. I had a stack of photography magazine clipping that I knew would work perfectly for this style.
For the backs I had fallen in love with a deck of playing cards, where the cardstock was matte, but the images were glossy. I knew that would be perfect for the feel that I wanted this deck to have. So I went on to step 2: experimenting!
So join me next time to see how I experimented with making my own cards, what worked, what didn’t work, and how I found the perfect cards for me. If you have any questions, leave a comment down below and also tell me about your oracles! Have you made one yourself, how and what did you use?